I’ve found myself slipping into the “woe is me” catagory of writing. It hasn’t been that awful. But it’s been a little vague, tragi-poetic (a term I have just made up), and far too introspective for my taste.
Not proud.
That shit stops here.
I’ve found myself slipping into the “woe is me” catagory of writing. It hasn’t been that awful. But it’s been a little vague, tragi-poetic (a term I have just made up), and far too introspective for my taste.
Not proud.
That shit stops here.
Die, like everyone else. Cheers!
Fed to Death by Say Anything
It’s weird to think about how time passes and feelings change. To see how new environments change relationships, and how the prominent people in your life start to shift around, and rearrange in a way you no longer recognize. But the sad part about all this is, that no amount of self-awareness can prevent this change. I find myself buried within a hurricane of inner conflict, stemmed from my inability to let go of the past, and my fear of the future. I decipher my life and my feelings and question my decisions. I psychoanalyze myself, judging myself and the reasons I do things. I think of things that could happen and try to figure out how to deal with them. I try to organize the present in preparation of the future. I try to decide which road to take before I’ve even hit the fork in the road. Then I judge myself for my planning, egging myself to just relax and let things be. This results in my questioning my decision to do so, wondering if it stems from some emotional place of resentment. Needless to say, all I end up doing is running myself into a circle. I race myself ragged in a fruitless attempt to stop time and answer questions that cannot be answered; to predict mistakes that may not even be mistakes, to see the future and to predict what will make me happy. But the truth is, I don’t know. There’s no answer. And as terrified as I am to make a mistake, I know that some time I’m going to have to let it go and take things as they come.
And that scares the living shit out of me.
I’ve become a dangerous person. I tend to read people very well, predict their moves. But I don’t call them out or put an end to it, I go along with it. What makes it worse is that I do this merely to watch those around me play their games, thinking I’m clueless while I chuckle, amused by my owned heightened sense of knowledge. I let things play out, just to see where things will lead; how people will act. I make questionable choices, knowing that when push comes to shove, I’ll never make the overtly reckless decision.
But being at the edge of nowhere scares me, especially because I find this concept so hard to explain to people. In this little bubble I currently reside in, everything is taken so seriously, and I can’t help but feel judged by every decision I make. I can’t help but feel analyzed. So when I make my questionable decisions out of curiosity and wonder, and I can’t help but feel like I am perceived as a hypocrite. But what those who judge don’t understand is that opinions on social situations are always changing, there’s no way to know how you’ll feel tomorrow. There’s no telling what will bother you from one day to the next.
That’s why I don’t close doors, I leave them wide open. I journey through little hallways of possibilities to watch people scramble for their exits while I chuckle to myself and skip through the next open door with open arms, knowing I can always meander right back out if things get too scary.
Because there’s no danger in an open door, as long as you’re prepared with an exit strategy.
There is no better excuse for childish behavior than saying, “I’m in theater.” Actors in school settings use it all the time. When someone does something socially unacceptable, one will say, “Oh, It’s okay. We’re in theater! We’re all weird.” Then I vomit everywhere.
I suppose in some regard this bullshit excuse is valid since one could say that actors are a group of adults who never stopped playing make-believe. But I can assure you, those who use this vile excuse aren’t thinking in such self-deprecating terms*. This is why it is utterly shocking to me that actors, who know better than anyone the depth and complexity of acting, use a phrase that dilutes everything theater should be to an over-simplified term that strips it of all creditability. It’s sad to listen to actors disparage the name of theater by using it as an excuse for inadequate social skills and inability to behave like adults. It’s even sadder to walk within an institution where those with the smallest brains wear the biggest egos.
The backstage area becomes a zoo of 21 year old adults gossiping like preteen girls, men who act like prepubescent boys throwing rocks at girls; a three-ring circus where everybody thinks they’re the ringleader. But much like in a circus, when you’re in the ring, all the action seems relevant. But on the outside, it all looks ridiculous. And truthfully, it is.
It pains me to watch this crowd of people, closer to entering the real world and supposedly more prepared than I, walking around like they own the place, then turning around and acting more like a child than I’ve ever behaved in my entire life. I watch these monsters become so heavily involved in their own delusions and self-written melodramas, that they forget that the world can see their flaws, even if they can’t. Every day that I witness this parade of walking flaws is a day that I am reminded of why I will never cease to be self-analyzing and to be introspective; to edit myself to fit a social eloquence that I can be proud of. This way I can use the phrase, “I’m in theater” not as an excuse, but as a declaration.
Footnotes:
*Egos too big to view the trade objectively